Splitting open the surface on which it is inscribed, 2019

^{Splitting open the surface on which it is inscribed, 2019
site-specific solo performance for video, steel sheeting, three-channel video with synchronised sonic recording, spatialised for site. additional single channel video, various screens and speakers, ready-made stage flats from institution. dimensions and duration variable

at: Margarate Lawrence Gallery, Naarm Melbourne, curated by Vicki McInnis
w/: Score enacted by Helen Grogan

This 2019 activation was accompanied by Observation Action situated on the adjacent street corner on the exterior of Buxton Contemporary.}

^{all activations, Splitting open the surface on which it is inscribed:

GERTRUDE CONTEMPORARY
w/ score enacted by Shelley Lasica
‘Great Waves of Feeling’, 2018

ABBOTSFORD CONVENT
w/ score enacted by Helen Grogan
‘Temporal Proximities’, 2019

LATROBE REGIONAL GALLERY
‘Great Waves of Feeling’, 2021

2019
MILDURA ARTS CENTRE
‘Great Waves of Feeling’ , 2020

HAMILTON GALLERY
‘Great Waves of Feeling’, 2019

MARGARET LAWRENCE GALLERY
w/ score enacted by Helen Grogan
Victorian College of the Arts, 2019

also as:

shield/splitting, 2019
2 x pigment ink-jet photograph prints 119.0 x 67.5 cm (each)

further credits:

Sound recordist, Liam Power. Artists in 2018 ‘Lilac’ Artery Studio research, Atong Atem, Jess Gall, Laura May Grogan, Simon MacEwan, Liam Power. Documentation at Gertrude Contemporary Christo Crocker}

^{The 2019 activation of Splitting open the surface on which it is inscribed was accompanied by Observation Action siutated on the adjancet street corner on the exterior or Buxton Contemporary. Installation view, Observation action (2017, 2018, 2019). , Buxton Contemporary, Naarm Melbourne, 2019}