CONCRETE ROOM and additional scores for level 2, 2017
ensemble performance of overlapping scores, including Ambiguous Death, Concrete Room, ConcStanding Ovation, Dying Swan, Small Dance Dancing Figure, Balustrades, I am a Chair, Physics is Real, and Observation Action. Choreographic score design and development: Helen Grogan. Choreographic score enaction for Ian Potter Museum site: Jess Gall, Jo Lloyd, Simon MacEwan, Benjamin Woods.
at: Ian Potter Museum of Art, Naarm Melbourne, curated by Jacqueline Doughty
ensemble performance of overlapping scores, including Ambiguous Death, Concrete Room, ConcStanding Ovation, Dying Swan, Small Dance Dancing Figure, Balustrades, I am a Chair, Physics is Real, and Observation Action. Choreographic score design and development: Helen Grogan. Choreographic score enaction for Ian Potter Museum site: Jess Gall, Jo Lloyd, Simon MacEwan, Benjamin Woods.
at: Ian Potter Museum of Art, Naarm Melbourne, curated by Jacqueline Doughty
project credits:
Performance of overlapping choreographic/sculptural scores: Ambiguous Death; Concrete Room; ConcStanding Ovation; Dying Swan; Small Dance Dancing Figure; Balustrades; I am a chair; Physics is Real; Observation Action. Choreographic score design and development: Helen Grogan. Choreographic score enaction for Ian Potter Museum site: Jess Gall, Jo Lloyd, Simon MacEwan, Benjamin Woods.
Installation views within 'The Score' curated by Jacqueline Doughty for Ian Potter Museum of Art, Melbounre, Australia, 2017. w/ artists Pia Borg, John Cage, Roy de Maistre, Fayen d’Evie, Marco Fusinato, Charles Gaines, Kurltjunyintja Jackie Giles, Michaela Gleave, Agatha Gothe-Snape, Nathan Gray, Helen Grogan, Ludwig Hirschfeld-Mack, Yuki Kihara, Emily Kam Kngwarray, Shelley Lasica, Sonia Leber & David Chesworth, Dylan Martorell, Angelica Mesiti, John Nixon, Sandra Parker & Rhian Hinkley, Rammey Ramsey, Mia Salsjö, Charlie Sofo, Sriwhana Spong, Christine Sun Kim & Thomas Mader, Danae Valenza, Jude Walton
documentation by Alex Cuff